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/ 陳韻琳 |
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近距交戰 Joyeux Noel
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出品：英、德等 / 2005
發行：海鵬
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Christian Carion執導的電影「近距交戰」（Joyeux Noel，2005），描述第一次大戰期間，有一年的聖誕夜，在法、英、德緊密交戰、已達短兵交接的法國佔領區，因一首平安夜，導致交戰雙方三國暫時弭平對立關係，共度聖誕夜、一齊禮拜的故事。
這部電影其實挺濫情，男女聲樂家在戰場上高歌聖樂，是電影的一大賣點，卻最矯揉造作，不過，處理兩方三國，從對立到友好，在彼此語言不通的情況下，卻尋找到「共通的語言」，在這部分，倒蠻有趣。
在導演刻意著重下，這共通語言，其一是國際名曲「平安夜」。
最先是蘇格蘭人在壕溝裡過聖誕夜，他們用最擅長的風笛樂器，吹了歡慶聖誕的曲子，而後德國兵營裡恰好有一個戰前是聲樂家的士兵，聽了蘇格蘭士兵的音樂，便跟自己國人唱起平安夜，沒想到他唱了幾句，聽見蘇格蘭風笛也吹著平安夜這首曲子，來為他伴奏，還發現慢慢的，不管是英國法國或德國士兵，都開始合唱.... |
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/ 陳平浩 |
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| 【經典回顧
】海洋和島嶼之間，漂離和佇留之際─萬仁的《惜別海岸》 |
| 觀眾也許還記得《超級大國民》在金馬影展上獲最佳男主角獎的次年，導演萬仁推著輪椅上林揚老先生上台接受致敬的動人一幕。這彷彿一個隱喻，國民黨獨裁統治下的白色恐怖受難者，經由劇中這一位深沉反思者的受苦清滌，得到了些許肯定和慰藉。然而，時至今日，這些歷史的創口並未癒合消失，反而更加疤落血流。 |
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/ 李茶 |
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| 【電影•音樂】觀看顧爾德1/25317209的人生——顧爾德的時光之旅 |
| 最早觀看有關顧爾德影片，是在我32歲生日時，朋友送了我一支《32個關於顧爾德的極短篇》的錄影帶，由導演吉哈(Francis Girard)導演。電影由32個不相關的片段組成，為什麼會是32呢？因為顧爾德對數字有著奇妙的偏執與迷戀，貫穿全片的是巴哈的郭德堡變奏曲，以詠嘆調開始，接著每段搭配一段變奏，最後再以詠嘆調結束，正好是32。 |
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/ 林文淇 |
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| Mrs Henderson Presents 裸體舞台 |
Laura Henderson: [at her husband's funeral] I'm bored with widowhood.
Lady Conway: My dear, you've just scratched the surface.
Laura Henderson: I have to smile at everybody. I've never had to smile at everybody. In India, there were always people to look down on.
Lady Conway: People are merely being sympathetic. After all, you have lost your husband.
Laura Henderson: Well I didn't mislay him! It was most inconsiderate of Robert to die. What on earth am I supposed to do now?
Lady Conway: It's really not so bad. Widows are allowed hobbies.
Laura Henderson: Hobbies?
Lady Conway: Yes. Embroidery, things like that.
Laura Henderson: Are you mad?
Lady Conway: I've graduated to weaving. Would you care to see my tapestries?
Laura Henderson: I'd rather drink ink.
Lady Conway: Committees are good of course. I serve on quite a few charities. Once your husband dies, it's quite permissible to help the poor. And now, there's no one to stop you buying things. Also, of course, there's a great deal of time for lovers.
Laura Henderson: Margot, I'm nearly 70!
Lady Conway: That's true, but you're also very rich. The one cancels out the other. |
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