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/ 科怪 |
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《向雪許願》(What the Snow Brings)
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出品:日本 / 2005
發行:佳映
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不管是電視劇還是電影,彷彿只要日本出品,就是催淚保證。從前陣子的《現在只想愛你》、《令人討厭的松子的一生》、《幸福的三町目》等等。無法否認在經營內心情感這一塊,日本人總是有辦法把情節佈局的恰到好處,讓人不知不覺地就默默流下眼淚,用他們一慣擅長說故事的細膩手法,在緩緩的流動裡不經意的把局外的觀影者牽引進劇本內的角色裡,不能自己。也就是這樣的感同身受,《向雪許願》在日本獲獎無數,其中囊括最佳影片、導演、男主角、觀眾票選四項大獎。更讓2005年東京影展評審團主席張藝謀大力推薦:「本屆大獎非此莫屬,我們全被感動了!」
美麗的傳說總是能引人入勝,在白雪皚皚的北海道裡也流傳著這樣一個傳說:「在屋頂堆上大雪球,願望就能實現。」有人心生嚮往,有人嗤之以鼻。而夢想前往東京汲汲營營想要出人頭地的男主角矢崎學,經商失敗,留下合夥人等倉皇無主地由東京逃回北海道家中,在賽馬場徘徊,重拾這一段執意離開13年的故鄉往日風情,也重建對於向雪許願傳說的嚮往,及自身的省悟。 |
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/ 林文淇 |
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【電影新訊】在第九屆台北電影節完成不可能任務之後 |
第九屆台北電影節由於聞天祥所領軍已經執行四屆的團隊宣佈不再接辦,以致於首次徵求委辦單位的標案流標,讓這個已經成為國內兩大影展之一的電影節一時間前景堪慮。所幸甫成功策劃紀錄片雙年展的資深策展人游惠貞以「救火隊」的心情投入電影節籌辦,但是當時距離影展開幕日期已是只有約半年的時間。 |
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/ 陳平浩 |
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【電影觀點】尤莉亞嫣琪 (Julia Jentsch) 與新德國電影 |
尤莉亞嫣琪是德國新生代女演員中最為耀眼的一顆明星,從影至今的幾部代表作嶄露了她精湛的演技,而這幾部電影又幾乎都屬於近年來的「新德國電影」─以截然不同的眼光觀看自二戰納粹德國以來,直到柏林圍牆坍塌、東西德統一的歷史。這一系列電影〈比如「終戰三部曲」〉不但在票房上表現搶眼,也備受影評人或者歷史學者的矚目... |
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/ 張可兒 |
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《我倆沒有明天》Bonnie and Clyde |
Clyde : Alright. Alright. If all you want's a stud service, you get on back to West Dallas and you stay there the rest of your life. You're worth more than that. A lot more than that. You know it and that's why you come along with me. You could find a lover boy on every damn corner in town. It don't make a damn to them whether you're waitin' on tables or pickin' cotton, but it does make a damn to me.
Bonnie : Why?
Clyde: Why? What's you mean, "Why?" Because you're different, that's why. You know, you're like me. You want different things. You got somethin' better than bein' a waitress. You and me travelin' together, we could cut a path clean across this state and Kansas and Missouri and Oklahoma and everybody'd know about it.
[about Bonnie's poem]
Clyde: You know what you done there? You told my story, you told my whole story right there, right there. One time, I told you I was gonna make you somebody. That's what you done for me. You made me somebody they're gonna remember. |
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