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/ 震爾 |
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「星星之惡，可以燎原」──《卸屍宴》（To Sir, with Love）
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出品：韓國 / 2006
發行：鴻聯國際開發
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對老師充滿怨懟之情的六個學生，在老師愛徒南澤美的邀請下，多年後又在老師家重新聚首。六人各懷怨恨，昔日心頭的陰影一一湧現，大家的言行越來越脫軌，場面逐漸失控。寂靜的夜晚，每個學生的心裡卻無法平靜，漫漫長夜潛伏著殘酷殺機。最後，警方在屋子裡竟發現六具血腥屍體…。
一直以來，我都對以「神秘的過去」為主題的恐怖片有著特殊興趣。事實上，這也是恐怖驚悚片編劇的最愛之一。人心的幽暗隱晦，潛藏著許多秘密。同一件事，在不同的人心裡可以有不同的解讀，進而造成不同的影響。若鬧鬼之類的恐怖題材會拍盡，人類充滿怨恨的扭曲心理，卻是永遠取之不竭用之不盡的題材寶庫。舉例來說，「殘骸線索（Tell Me Something）」、「鬼鈴（The Phone）」、「鬼鏡（Into the Mirror）」…等等韓片，都是善用這類題材的驚悚佳作。不同於日本常會有「無差別殺人」的片子，韓國恐怖片的基本結構大多偏好「有果必有因」這類邏輯，因此在編劇上相當愛好「過去不為人知的秘密」這類故事。本片導演林泰雄，便是基於「過去雞毛蒜皮的小事對加害者來說，雲淡風輕容易遺忘，但被害者卻可能一輩子舔舐著傷疤度日【註】」這樣的靈感創作出《卸屍宴》。 |
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/ 林文淇 |
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| 【電影新訊】國片影像教育扎根計畫東部開跑，林育賢《六號出口》導演版首映助陣 |
| 以感人勵志的紀錄片《翻滾吧！男孩》奪得金馬獎的林育賢導演為土生土長的宜蘭人。他的首部劇情片《六號出口》甫於院線熱鬧下檔，此次除了將在記者會上為國片影像教育扎根計畫站台外，更將帶來全台首度曝光的《六號出口》導演完整版回饋故鄉影迷。對宜蘭有深厚感情的林育賢感嘆，政府若早個十幾年推行這麼具意義的教育計畫，一定會有更多像他這樣熱愛電影的人在國片影壇奮鬥.... |
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/ 張美君 |
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| 【大師精選】關錦鵬「既近且遠、既遠且近」的電影美學 |
| 關錦鵬的電影，有若其人，有一種不能言喻的親切感。打從他的第一部電影至今，他的每一個故事好像跟我們的城市的命脈不可分割。縱使他恆常地這樣娓娓道來：「既近且遠、既遠且近」，我們卻邊走邊看地跟他的電影渡過了一段起伏跌宕的歲月。本書無意給他的電影事業作什麼總結，因為當下正值香港電影的轉型時期，路仍漫漫，何來總結？ |
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/ 林蕙君 |
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| 《情歸紐澤西》Garden State |
Sam: Hey, I recognize you.
Andrew Largeman: Oh, did you go to Columbia High?
Sam: No, not from high school, from TV. Didn't you play the retarded quarterback?
Andrew Largeman: Yeah.
Sam: Are you really retarded?
Andrew Largeman: No.
Sam: Ooh, great job man! I really thought you were retarded. I mean, you're better than that Corky kid and he's actually retarded. If there was a retarded Oscar you would win, hands down, kick his ass!
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Andrew Largeman: You know that point in your life when you realize that the house that you grew up in isn't really your home anymore? All of the sudden even though you have some place where you can put your stuff that idea of home is gone.
Sam: I still feel at home in my house.
Andrew Largeman: You'll see when you move out it just sort of happens one day and one day it's just gone. And you can never get it back. It's like you get homesick for a place that doesn't exist. I mean it's like this rite of passage, you know. You won't have this feeling again until you create a new idea of home for yourself, you know, for your kids, for the family you start, it's like a cycle or something. I miss the idea of it. Maybe that's all family really is. A group of people who miss the same imaginary place.
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